Movies Detail of Damien: Omen II (1978)
✓ Title : Damien: Omen II
✓ Release Date : June 9th, 1978
✓ Genre : Horror
✓ Runtime : 107 minutes
✓ Director : Don Taylor
✓ Writers : Harvey Bernhard, David Seltzer, Mike Hodges, Stanley Mann
✓ Companies : Mace Neufeld Productions, 20th Century Fox
✓ Country : United States of America
✓ Cast : Lee Grant, Nicholas Pryor, William Holden, Jonathan Scott-Taylor, Lance Henriksen, Sylvia Sidney, Lew Ayres, Robert Foxworth, Elizabeth Shepherd, Lucas Donat
✓ Release Date : June 9th, 1978
✓ Genre : Horror
✓ Runtime : 107 minutes
✓ Director : Don Taylor
✓ Writers : Harvey Bernhard, David Seltzer, Mike Hodges, Stanley Mann
✓ Companies : Mace Neufeld Productions, 20th Century Fox
✓ Country : United States of America
✓ Cast : Lee Grant, Nicholas Pryor, William Holden, Jonathan Scott-Taylor, Lance Henriksen, Sylvia Sidney, Lew Ayres, Robert Foxworth, Elizabeth Shepherd, Lucas Donat
Synopsis of Damien: Omen II (1978)
Since the sudden and highly suspicious death of his parents, 12-year-old Damien has been in the charge of his wealthy aunt and uncle. Widely feared to be the Antichrist, Damien relentlessly plots to seize control of his uncle's business empire—and the world. Anyone attempting to unravel the secrets of Damien's sinister past or fiendish future meets with a swift and cruel demise.
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◈ Damien: Omen II Full Movie - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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